I have created meaning in my film through the use of mise en scene.
Costume
I asked my actors to turn up in smart business wear to give the impression the the audience that they are working n a professional policing environment. i also had my extras wear white over alls to look like they are forensic investigators working in the scene and build the iconography of the scene.
Sound
I have also looked into creating meaning thought the use of sound i.e. a police siren sound in the back ground of a scene to give connotations of the police operations or ambient noise of a helicopter over head would give the audience the impression of a man hunt.
Acting gesture
To make my main protagonist seem more powerful i made opportunities in the script where he had the ability to define his dominance over the other characters i.e. when questioned about his ability in the meeting he puts the other detective in their place and when they find the dead body and Kieron is sick it shows that Derrick is more a more seasoned detective.
Props
I includes props in my film i.e. the paper with the victims faces on it gives the audience an indication of the genre of the film and indicates that there is a back story to this narrative and quickly explains this to the audience by giving the victims a face and name.
Editing techniques
I planned to use an eye line match after the explosion so that the audience feels empathy with the characters and understand the severity of the explosion and how it has effected the narraitve. I have also included an LUT filter to make the film seem more dramatic to the audiecne and it alos fits the conventions of my genre.
Tuesday, 5 June 2018
Wednesday, 31 January 2018
LO4: A proposal for certification classification that is realistic and appropriate for the content of the original short film, or sequence of a film, produced based on feedback gained
Given the BBFC regulations on the classification of media rating i would give my film a rating certificate of 12.
Threat
In My film there is a small amount of threat in the opening scene at the prison where Christopher threatens Derrick with the prospect of more people dieing. i think this is worthy of an age 12 rating as the treat is not directly made towards any of the characters, and the argument between derrick and his boss is inaudible.
Violence
There is not harsh or candid examples of violence in my film which the audience would find distresing or to detailed. However the grenade scene and the use of an eye line match dose give indication of distress and violence towards the main characters.
Language
There is the occasional use of bad language in my film however i not used contently and there is very few major swear words and all the swear words are justified to the audience through the narrative.
Threat
Violence
Language
LO4: Evidence of a focus group screening of your finished film.
- I had a focus group watch my film and then had them give me feed back using a survey monkey that i created so that it could gain qualitative feedback about my film.
- In my feedback i noticed that the strengths in my film were my editing and camera techniques in the film and improvement that i can see from my feed back would.
- I can see from my feedback i could do with altering the sound effects so that they aren't so overbearing and loud.
LO3: Linking audio to visuals and applying audio effects
The Radio recording
I recorded the radio broadcast that said that Christopher Lucas had escaped from prison. To make is sound more like the recording was coming out of a speaker/radio i edited the sound in Adobe Audition using the distortion effect, I also faded in and out the radio broadcast to make the sound enter the visuals more smoothly.
Hissing noise in dialogue
The recording of dialogue when Derrick is asking Kieran if he is ok. ( MVI_9948,MOV)
As the audio was recorded using a directional microphone mounted on the camera, as it picked up a hissing noise along with some back ground noise, in an effort to try and remove this i created a noise print of the hissing and used ' Adaptive noise reduction' i noticed that the more of an effort i made to remove the hissing noise the more distorted the vocals became, so instead of compromising my dialogue i removed as much of the hiss i could before it started effecting the vocals.
Ambient noise
In the office scene i have added in ambient office noise to create the illusion that their are multiple people working in the office and also establish to the audience the location that they are working in. I sourced my ambient office noise off a creative commons website meaning i avoided The Copyright, Designs and Patents Act.
Sting
In the transition after they discover the body, when the police tape is pulled across. I used a police siren sound effect which i got off of a copyright free website. The sting sound effect helps to build the mise en scene of the crime scene by using an iconic sound.
Bed
I have used a bed sound from a copyright free web site which allows me to avoid the Copyright, Designs and Patents Act. This bed starts just after they hear a banging noise in the distance, this is to build up suspense in the narrative and give the idea to the audience that something is about to happen.
Foley
To make it sound more realistic to the audience i have added in a Foley sound of a small metal object being dropped, i found this sound on a creative commons website, The sound was perfect for creating the illusion that a pin was being pulled out of a grenade, Making it seem more like it was a real grenade and not a plastic prop.
Hissing noise in dialogue
The recording of dialogue when Derrick is asking Kieran if he is ok. ( MVI_9948,MOV)
As the audio was recorded using a directional microphone mounted on the camera, as it picked up a hissing noise along with some back ground noise, in an effort to try and remove this i created a noise print of the hissing and used ' Adaptive noise reduction' i noticed that the more of an effort i made to remove the hissing noise the more distorted the vocals became, so instead of compromising my dialogue i removed as much of the hiss i could before it started effecting the vocals.
Ambient noise
In the office scene i have added in ambient office noise to create the illusion that their are multiple people working in the office and also establish to the audience the location that they are working in. I sourced my ambient office noise off a creative commons website meaning i avoided The Copyright, Designs and Patents Act.
Sting
Bed
Foley
LO3: Applying appropriate visual effects and transitions
Double vision / blurred effects
In the scene just after the explosion, where it goes to an eye line match in Derricks point of view, i have edited the footage so it appears that Derrick is concussed and disorientated.
I did this by duplicating the footage and using the feather tool to cut the footage in half and adjust the position of the cut out to make the image look as if the image is repeating and there fore to create the impression that derrick has double vision.
I also added an adjustment layer over this particular piece of footage to control the blur in the footage, by using 'key frames' and adding a Gaussian blur i was able to manipulate the footage to make the blurriness fade in and out to make him appear concussed after the explosion.
Action match
I created an action match through the use of editing the three shots of the container being opened that were filmed at separate times, but by editing them together I was able to make it appear as all one motion and give my footage a better flow and rhythm and also builds up suspense towards the reveal of the body inside the container.
Title Graphics / Transition
LO3: Producing and reviewing an off line edit
Offline edit
I created an off line edit using a short amount of footage from some of what i filmed first. To do this i pieced together the some of my footage in adobe premier to try and idetify any problems that i may be faced with and that I may need to overcome.
Problems identified and intended solutions
1)
Problem: Some footage is wonky/tilted due to the difficulty we faced setting up the tripod on the uneven and rocky ground.
Solution: I intend to fix this problem by enlarging and rotating the frames which are tilted
2)
Problem: The microphone on the slider shot has picked up some unwanted background noise
Solution: I intend on removing that during the post production proses and posibly adding some sound effects from copyright free sites.
3)
Problem: The tone/colour of the fotage dosent it the genre of the film
Solution: I would look into using an LUT or applying RGB colour corections to give my footag a more cinematic look
I created an off line edit using a short amount of footage from some of what i filmed first. To do this i pieced together the some of my footage in adobe premier to try and idetify any problems that i may be faced with and that I may need to overcome.
Problems identified and intended solutions
1)
Problem: Some footage is wonky/tilted due to the difficulty we faced setting up the tripod on the uneven and rocky ground.
Solution: I intend to fix this problem by enlarging and rotating the frames which are tilted
2)
Problem: The microphone on the slider shot has picked up some unwanted background noise
Solution: I intend on removing that during the post production proses and posibly adding some sound effects from copyright free sites.
3)
Problem: The tone/colour of the fotage dosent it the genre of the film
Solution: I would look into using an LUT or applying RGB colour corections to give my footag a more cinematic look
LO3: Logging rushes and creating edit decision list
Edit decision list
I have loeeded rushes in a tabe to dertermine which piceses of footage is usable and which part of the usable footage I want to be using.
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MVI_9769.MOV
097 AX
V C 00:00:28:14 00:00:33:01 00:03:29:19
00:03:34:08
* FROM CLIP NAME:
MVI_0472.MOV
098 AX
V C 00:00:24:20 00:00:28:18 00:03:34:08
00:03:38:06
* FROM CLIP NAME:
MVI_9769.MOV
099 AX
V C 00:00:28:18 00:00:31:23 00:03:38:06
00:03:41:11
* FROM CLIP NAME:
MVI_9769.MOV
100 AX
V C 00:00:51:19 00:00:57:17 00:03:41:11
00:03:47:09
* FROM CLIP NAME:
MVI_9969.MOV
101 AX
V C 00:00:03:02 00:00:09:09 00:03:47:09
00:03:53:16
* FROM CLIP NAME:
MVI_9766.MOV
102 AX
AA C 23:46:30:10 23:46:39:00 00:03:47:09
00:03:55:24
* FROM CLIP NAME:
SR022XY.WAV
103 AX
V C 00:00:52:00 00:00:53:29 00:03:53:16
00:03:55:15
* FROM CLIP NAME:
MVI_0472.MOV
104 AX
V C 00:00:46:03 00:00:48:07 00:03:55:15
00:03:57:19
* FROM CLIP NAME:
MVI_9769.MOV
105 AX
AA C 23:55:22:02 23:55:30:20 00:03:55:24
00:04:04:17
* FROM CLIP NAME:
SR025XY.WAV
106 AX
V C 00:00:56:04 00:00:59:05 00:03:57:19
00:04:00:20
* FROM CLIP NAME:
MVI_0472.MOV
107 AX
V C 00:00:51:08 00:00:52:20 00:04:00:20
00:04:02:08
* FROM CLIP NAME:
MVI_9769.MOV
108 AX
V C
00:01:01:01 00:01:04:22 00:04:02:08 00:04:06:00
* FROM CLIP NAME:
MVI_0472.MOV
109 AX
AA C 23:55:31:04 23:55:35:01 00:04:04:17
00:04:08:14
* FROM CLIP NAME:
SR025XY.WAV
110 AX
V C 00:00:56:21 00:00:59:11 00:04:06:00
00:04:08:14
* FROM CLIP NAME:
MVI_9769.MOV
111 AX
V C 00:00:13:05 00:00:14:11 00:04:08:14
00:04:09:20
* FROM CLIP NAME:
MVI_9770.MOV
112 AX
V C 00:00:04:15 00:00:07:03 00:04:09:20
00:04:12:08
* FROM CLIP NAME:
MVI_9780.MOV
113 AX
AA C 00:34:12:05 00:34:23:16 00:04:09:20
00:04:21:06
* FROM CLIP NAME:
SR038XY.WAV
114 AX
V C 00:00:29:11 00:00:31:23 00:04:12:08
00:04:14:18
* FROM CLIP NAME:
MVI_0481.MOV
115 AX
V C 00:02:23:09 00:02:29:22 00:04:14:18
00:04:21:06
* FROM CLIP NAME:
MVI_9977.MOV
116 AX
V C 00:00:39:08 00:00:47:26 00:04:21:06
00:04:29:21
* FROM CLIP NAME:
MVI_0481.MOV
117 AX
AA C 00:34:24:15 00:34:57:06 00:04:21:06
00:04:53:22
* FROM CLIP NAME:
SR038XY.WAV
118 AX
V C 00:02:39:11 00:02:58:18 00:04:29:21
00:04:49:03
* FROM CLIP NAME:
MVI_9977.MOV
119 AX
V C 00:00:44:20 00:00:49:14 00:04:49:03
00:04:53:22
* FROM CLIP NAME:
MVI_9780.MOV
120 AX
V C 00:03:11:06 00:03:18:08 00:04:53:22
00:05:00:24
* FROM CLIP NAME:
MVI_9977.MOV
121 AX
AA C 00:35:05:01 00:35:14:09 00:04:53:22
00:05:03:05
* FROM CLIP NAME:
SR038XY.WAV
122 AX
V C 00:01:26:23 00:01:29:02 00:05:00:24
00:05:03:06
* FROM CLIP NAME:
MVI_0481.MOV
123 AX
AA C 00:35:14:09 00:35:15:23 00:05:03:05
00:05:04:19
* FROM CLIP NAME:
SR038XY.WAV
124 AX
V C
00:01:29:02 00:01:29:14 00:05:03:06 00:05:03:16
* FROM CLIP NAME:
MVI_0481.MOV
125 AX
V C 00:03:20:11 00:03:21:14 00:05:03:16
00:05:04:19
* FROM CLIP NAME:
MVI_9977.MOV
126 AX
V C 00:00:04:17 00:00:06:10 00:05:04:19
00:05:06:12
* FROM CLIP NAME:
MVI_9781.MOV
127 AX
AA C 00:36:35:23 00:36:37:16 00:05:04:19
00:05:06:12
* FROM CLIP NAME:
SR039XY.WAV
128 AX
V C 00:00:02:19 00:00:07:16 00:05:06:12
00:05:11:09
* FROM CLIP NAME:
MVI_9782.MOV
129 AX
AA C 00:00:02:19 00:00:07:16 00:05:06:12
00:05:11:09
* FROM CLIP NAME:
MVI_9782.MOV
130 AX
V C 00:00:05:05 00:00:07:08 00:05:11:09
00:05:13:12
* FROM CLIP NAME:
MVI_9783.MOV
131 AX
AA C 00:00:05:05 00:00:07:08 00:05:11:09
00:05:13:12
* FROM CLIP NAME:
MVI_9783.MOV
132 AX
V C 00:00:06:17 00:00:09:14 00:05:13:12
00:05:16:09
* FROM CLIP NAME:
MVI_9773.MOV
133 AX
AA C 00:10:50:11 00:10:53:08 00:05:13:12
00:05:16:09
* FROM CLIP NAME:
SR029XY.WAV
134 AX
V C 00:00:23:11 00:00:27:06 00:05:16:09
00:05:20:05
* FROM CLIP NAME:
MVI_0475.MOV
135 AX
AA C 00:10:53:12 00:10:57:08 00:05:16:09 00:05:20:05
* FROM CLIP NAME:
SR029XY.WAV
136 AX
V C 00:00:24:14 00:00:31:13 00:05:20:05
00:05:27:04
* FROM CLIP NAME:
MVI_9973.MOV
137 AX
AA C 00:10:57:07 00:11:04:06 00:05:20:05
00:05:27:04
* FROM CLIP NAME:
SR029XY.WAV
138 AX
V C 00:00:34:04 00:00:36:01 00:05:27:04
00:05:29:01
* FROM CLIP NAME:
MVI_0475.MOV
139 AX
AA C 00:11:04:08 00:11:11:08 00:05:27:04
00:05:34:04
* FROM CLIP NAME:
SR029XY.WAV
140 AX
V C 00:00:33:10 00:00:35:13 00:05:29:01
00:05:31:04
* FROM CLIP NAME:
MVI_9973.MOV
141 AX
V C 00:00:38:04 00:00:41:04 00:05:31:04
00:05:34:04
* FROM CLIP NAME:
MVI_0475.MOV
142 AX
V C 00:00:39:01 00:00:41:09 00:05:34:04
00:05:36:12
* FROM CLIP NAME:
MVI_9973.MOV
143 AX
AA C 00:11:11:19 00:11:14:02 00:05:34:04
00:05:36:12
* FROM CLIP NAME:
SR029XY.WAV
144 AX
V C 00:00:04:06 00:00:06:05 00:05:36:12
00:05:38:11
* FROM CLIP NAME:
MVI_9774.MOV
145 AX
AA C 00:11:16:00 00:11:17:24 00:05:36:12
00:05:38:11
* FROM CLIP NAME:
SR029XY Audio Extracted.wav
146 AX
AA C 00:12:07:21 00:12:10:01 00:05:38:11
00:05:40:16
* FROM CLIP NAME:
SR029XY Audio Extracted_1.wav
147 AX
V C 00:00:12:10 00:00:14:27 00:05:38:11
00:05:41:00
* FROM CLIP NAME:
MVI_0476.MOV
148 AX
AA C 00:15:23:03 00:15:23:12 00:05:40:16
00:05:41:00
* FROM CLIP NAME:
SR030XY Audio Extracted.wav
149 AX
V C 00:00:02:08 00:00:04:19 00:05:41:00
00:05:43:11
* FROM CLIP NAME:
MVI_9777.MOV
150 AX
AA C 00:15:20:09 00:15:22:20 00:05:41:00
00:05:43:11
* FROM CLIP NAME:
SR030XY Audio Extracted.wav
151 AX V
C 00:00:00:11 00:00:02:17
00:05:43:11 00:05:45:17
* FROM CLIP NAME:
MVI_9775.MOV
152 AX
AA C 00:12:17:13 00:12:19:19 00:05:43:11
00:05:45:17
* FROM CLIP NAME:
SR029XY.WAV
153 AX
NONE C 00:00:05:03 00:00:09:14 00:05:44:07
00:05:48:18
* FROM CLIP NAME:
324138__fedefrede__car-door-close-engine-start.wav
AUD 3 4
154 AX
V C 00:00:24:09 00:00:27:10 00:05:45:17
00:05:48:18
* FROM CLIP NAME:
MVI_2250.MOV
155 AX
AA C 00:00:06:11 00:00:09:12 00:05:45:17
00:05:48:18
* FROM CLIP NAME:
MVI_9925 Audio Extracted_1 Audio Extracted Audio Extracted.wav
156 AX
V C 00:00:03:00 00:00:28:16 00:05:48:18
00:06:14:09
* FROM CLIP NAME:
MVI_2252.MOV
157 AX
AA C 23:37:20:03 23:37:45:19 00:05:48:18
00:06:14:09
* FROM CLIP NAME:
SR004MS Audio Extracted Audio Extracted.wav
158 AX
V C 00:00:05:12 00:00:06:20 00:06:14:09
00:06:15:17
* FROM CLIP NAME:
MVI_9929.MOV
159 AX
AA C 00:00:05:12 00:00:06:20 00:06:14:09
00:06:15:17
* FROM CLIP NAME:
MVI_9929 Audio Extracted Audio Extracted.wav
160 AX
V C 00:00:05:06 00:00:10:10 00:06:15:17
00:06:20:21
* FROM CLIP NAME:
MVI_2246.MOV
161 AX
NONE C 00:00:00:06 00:00:18:01 00:06:15:17
00:06:33:12
* FROM CLIP NAME:
132288__robinhood76__02946-hit-stinger-creepy Audio Extracted.wav
AUD 3 4
162 AX
V C 00:00:01:17 00:00:06:06 00:06:20:21
00:06:25:10
* FROM CLIP NAME:
MVI_2230.MOV
163 AX
V C 00:00:16:23 00:00:18:01 00:06:25:10
00:06:26:13
* FROM CLIP NAME:
MVI_9931.MOV
164 AX
AA C 00:00:17:10 00:00:18:01 00:06:25:22
00:06:26:13
* FROM CLIP NAME:
MVI_9931 Audio Extracted Audio Extracted.wav
165 AX
AA/V C 00:00:02:07 00:00:03:08 00:06:26:13
00:06:27:14
* FROM CLIP NAME:
MVI_2253.MOV
166 AX
AA/V C 00:00:05:15 00:00:06:09 00:06:27:14
00:06:28:08
* FROM CLIP NAME:
MVI_2254.MOV
167 AX
AA/V C 00:00:04:11 00:00:11:10 00:06:28:08
00:06:35:07
* FROM CLIP NAME:
MVI_2256.MOV
168 AX
AA/V C 00:00:01:22 00:00:05:22 00:06:35:07
00:06:39:07
* FROM CLIP NAME:
MVI_9933.MOV
169 AX
AA/V C 00:00:15:01 00:00:19:04 00:06:39:07
00:06:43:10
* FROM CLIP NAME:
MVI_2256.MOV
170 AX
NONE C 00:00:00:18 00:00:07:11 00:06:41:09
00:06:48:02
* FROM CLIP NAME:
275447__robinhood76__05876-trailer-hit-psyche Audio Extracted.wav
AUD 3 4
171 AX
AA/V C 00:00:00:17 00:00:02:19 00:06:43:10
00:06:45:12
* FROM CLIP NAME:
MVI_9935.MOV
172 AX
AA/V C 00:00:15:13 00:00:19:12 00:06:45:12
00:06:49:11
* FROM CLIP NAME:
MVI_9946.MOV
173 AX
V C 00:00:04:01 00:00:08:16 00:06:49:11
00:06:54:01
* FROM CLIP NAME:
MVI_9946.MOV
174 AX
AA C 00:00:04:01 00:00:08:16 00:06:49:11
00:06:54:01
* FROM CLIP NAME:
MVI_9946 Audio Extracted_1.wav
175 AX
NONE C 00:00:00:08 00:00:00:20 00:06:51:01
00:06:51:13
* FROM CLIP NAME:
360329__inspectorj__camera-shutter-fast-a Audio Extracted.wav
AUD 3 4
176 AX
NONE C 00:00:00:09 00:00:00:22 00:06:51:13
00:06:52:01
* FROM CLIP NAME:
360329__inspectorj__camera-shutter-fast-a Audio Extracted_1.wav
AUD 3 4
177 AX
NONE C 00:00:00:08 00:00:00:22 00:06:53:01
00:06:53:15
* FROM CLIP NAME:
360329__inspectorj__camera-shutter-fast-a Audio Extracted_2.wav
AUD 3 4
178 AX
V C 00:00:00:23 00:00:15:24 00:06:54:01
00:07:09:02
* FROM CLIP NAME:
MVI_9948.MOV
179 AX
AA C 00:00:00:23 00:00:19:03 00:06:54:01
00:07:12:06
* FROM CLIP NAME:
MVI_9948 Audio Extracted_6.wav
* AUDIO LEVEL AT
00:00:00:23 IS +3.17 DB (REEL AX A1)
* AUDIO LEVEL AT
00:00:00:23 IS +3.17 DB (REEL AX A2)
180 AX
NONE C 00:00:00:00 00:00:42:06 00:07:07:07
00:07:49:13
* FROM CLIP NAME:
353662__robinhood76__06833-killers-house-soundscape Audio Extracted_1.wav
AUD 3 4
181 AX
V C 00:00:07:18 00:00:10:22 00:07:09:02
00:07:12:06
* FROM CLIP NAME:
DSCN1136.MOV
182 AX
V C 00:00:16:09 00:00:24:19 00:07:12:06
00:07:20:16
* FROM CLIP NAME:
MVI_9948.MOV
183 AX
AA C 00:00:16:09 00:00:24:19 00:07:12:06
00:07:20:16
* FROM CLIP NAME:
MVI_9948.MOV
184 AX
AA/V C 00:00:08:09 00:00:19:22 00:07:20:16
00:07:32:04
* FROM CLIP NAME:
MVI_9952.MOV
185 AX
AA C 00:00:19:22 00:00:21:07 00:07:32:04
00:07:33:14
* FROM CLIP NAME:
MVI_9952.MOV
186 AX
V C 00:00:00:19 00:00:04:04 00:07:32:04
00:07:35:14
* FROM CLIP NAME:
MVI_2231.MOV
187 AX
AA C 00:00:18:13 00:00:21:07 00:07:33:14
00:07:36:08
* FROM CLIP NAME:
MVI_9952 Audio Extracted Audio Extracted_1.wav
188 AX
V C 00:00:04:17 00:00:05:06 00:07:35:14
00:07:36:03
* FROM CLIP NAME:
MVI_9953.MOV
SPLIT: AUDIO
DELAY= 00:00:00:05
189 AX
V C 00:00:34:04 00:00:39:09 00:07:36:03 00:07:41:08
189 AX
AA C 00:00:34:09 00:00:39:09 00:07:36:08
00:07:41:08
* FROM CLIP NAME:
MVI_9952.MOV
190 AX
AA/V C 00:00:16:19 00:00:18:03 00:07:41:08
00:07:42:17
* FROM CLIP NAME:
DSCN1137.MOV
191 AX
V C 00:00:03:24 00:00:04:17 00:07:42:17
00:07:43:10
* FROM CLIP NAME:
MVI_9953.MOV
192 AX
AA C 00:00:03:24 00:00:04:17 00:07:42:17
00:07:43:10
* FROM CLIP NAME:
MVI_9953 Audio Extracted Audio Extracted Audio Extracted Audio Extracted Audio
Extracted Audio Extracted_1.wav
193 AX
AA/V C 00:00:21:00 00:00:22:20 00:07:43:10
00:07:45:05
* FROM CLIP NAME:
DSCN1137.MOV
194 AX
AA/V C 00:00:02:06 00:00:03:02 00:07:45:05
00:07:46:01
* FROM CLIP NAME:
MVI_9954.MOV
* AUDIO LEVEL AT
00:00:02:06 IS -18.24 DB (REEL AX A1)
* AUDIO LEVEL AT
00:00:02:06 IS -18.24 DB (REEL AX A2)
195 AX
AA/V C 00:00:00:18 00:00:02:09 00:07:46:01
00:07:47:17
* FROM CLIP NAME:
MVI_2257.MOV
196 AX
AA C
00:00:03:02 00:00:04:18 00:07:47:17 00:07:49:08
* FROM CLIP NAME:
MVI_9954 Audio Extracted_1 Audio Extracted Audio Extracted.wav
197 AX
V C 00:00:03:02 00:00:04:06 00:07:47:17
00:07:48:21
* FROM CLIP NAME:
MVI_9954.MOV
198 AX
V C 00:00:04:06 00:00:04:06 00:07:48:21
00:07:48:21
FCM: NON-DROP
FRAME
198 AX
V W000 025 00:59:58:14
01:00:00:17 00:07:48:21 00:07:50:24
EFFECTS NAME IS
W000
* FROM CLIP NAME:
MVI_9954.MOV
* TO CLIP NAME:
White
199 AX
NONE C 00:00:00:00 00:00:02:11 00:07:49:13
00:07:51:24
* FROM CLIP NAME:
387230__eflexthesounddesigner__explosion-var-2-close-near-mixed Audio
Extracted.wav
AUD 3 4
200 AX
V C 01:00:00:17 01:00:00:17 00:07:50:24
00:07:50:24
FCM: NON-DROP
FRAME
200 AX
V W000 025 00:00:10:05
00:00:11:13 00:07:50:24 00:07:52:07
EFFECTS NAME IS
W000
* FROM CLIP NAME:
White
* TO CLIP NAME:
MVI_9955.MOV
201 AX
AA/V C 00:00:11:05 00:00:11:13 00:07:51:24
00:07:52:07
* FROM CLIP NAME:
MVI_9955 Audio Extracted.wav
202 BL
V C 00:00:00:00 00:00:00:04 00:07:52:07
00:07:52:11
203 AX
AA/V C 00:00:11:17 00:00:11:19 00:07:52:11
00:07:52:13
* FROM CLIP NAME:
MVI_9955.MOV
204 BL
V C 00:00:00:00 00:00:00:05 00:07:52:13
00:07:52:18
205 AX
AA/V C 00:00:11:24 00:00:12:05 00:07:52:18
00:07:52:24
* FROM CLIP NAME:
MVI_9955.MOV
206 BL
V C 00:00:00:00 00:00:00:07 00:07:52:24
00:07:53:06
207 AX
AA/V C 00:00:12:12 00:00:31:08 00:07:53:06
00:08:12:02
* FROM CLIP NAME:
MVI_9955.MOV
208 AX
AA C 00:00:12:12 00:00:30:08 00:07:53:06
00:08:11:02
* FROM CLIP NAME:
MVI_9955 Audio Extracted.wav
209 AX
AA C 00:00:30:08 00:00:30:08 00:08:11:02
00:08:11:02
FCM: NON-DROP
FRAME
209 BL
AA W000 025 00:00:00:00
00:00:05:00 00:08:11:02 00:08:17:02
EFFECTS NAME IS
W000
* FROM CLIP NAME:
MVI_9955 Audio Extracted.wav
* TO CLIP NAME:
BL
210 BL
V C 00:00:00:00 00:00:05:00 00:08:12:02
00:08:17:02
211 AX
AA C 00:00:00:00 00:00:52:21 00:08:17:02
00:09:09:23
* FROM CLIP NAME:
bensound-ofeliasdream Audio Extracted.wav
212 AX
V C
00:59:45:07 01:00:04:13 00:08:17:02 00:08:36:08
* FROM CLIP NAME:
Graphic
213 AX
V C 01:00:04:13 01:00:04:13 00:08:36:08
00:08:36:08
FCM: NON-DROP
FRAME
213 AX
V D 025 00:59:59:13 01:00:11:00 00:08:36:08 00:08:47:20
EFFECTS NAME IS
CROSS DISSOLVE
* FROM CLIP NAME:
Graphic
* TO CLIP NAME:
Graphic
214 AX
V C 01:00:11:00 01:00:11:00 00:08:47:20
00:08:47:20
FCM: NON-DROP
FRAME
214 AX
V D 025 00:59:59:13 01:00:12:24 00:08:47:20
00:09:01:06
EFFECTS NAME IS
CROSS DISSOLVE
* FROM CLIP NAME:
Graphic
* TO CLIP NAME:
Graphic
215 AX
V C 01:00:12:24 01:00:12:24 00:09:01:06
00:09:01:06
FCM: NON-DROP
FRAME
215 BL
V D 025 00:00:00:00 00:00:01:15 00:09:01:06
00:09:03:21
EFFECTS NAME IS
CROSS DISSOLVE
* FROM CLIP NAME:
Graphic
* TO CLIP NAME:
BL
216 BL
V C 00:00:00:00 00:00:01:15 00:09:02:06
00:09:03:21
217 AX
V C 01:00:00:00 01:00:03:01 00:09:03:21
00:09:06:22
* FROM CLIP NAME:
Graphic
218 AX
V C 01:00:00:00 01:00:03:01 00:09:06:22
00:09:09:23
* FROM CLIP NAME:
Graphic
219 AX
NONE C 00:00:01:07 00:00:10:01 00:10:58:13
00:11:07:07
* FROM CLIP NAME:
108642__benboncan__ww2-siren Audio Extracted_2.wav
* AUDIO LEVEL AT
00:00:00:00 IS -5.38 DB (REEL AX A3)
* AUDIO LEVEL AT
00:00:00:00 IS -5.38 DB (REEL AX A4)
AUD 3 4
220 AX
NONE C 00:00:00:00 00:00:10:01 00:11:07:08
00:11:17:09
* FROM CLIP NAME:
108642__benboncan__ww2-siren Audio Extracted_3.wav
* AUDIO LEVEL AT
00:00:00:00 IS +1.24 DB (REEL AX A3)
* AUDIO LEVEL AT
00:00:00:00 IS +1.24 DB (REEL AX A4)
AUD 3 4
Logging rushes
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